Is there a way to break through knowledge barriers and foster climate change collaboration within and without CBE? Professor Kate Simonen and other faculty think they’ve found it: CBE’s new Climate Solutions Community of Practice (CoP), a group dedicated to generating climate solutions across disciplinary frameworks that encourages student, staff, and faculty participation.
The College of Built Environments at the University of Washington has big dreams. Faculty, staff, and students are tackling issues of social and environmental justice and climate change. They’re seeking out innovations in sustainability, breaking out of disciplinary silos, and forging new collaborations
The Husky Sustainability Awards recognize individuals and groups across all University of Washington campuses who lead the way for sustainability at the University of Washington. This is the 14th year awards have been given by the UW Environmental Stewardship Committee.
In pursuit of our vision for a more just and beautiful world, the College of Built Environments continues to implement an important part of our strategic framework: growing our capacity for collaborative interdisciplinary work with the goal of advancing climate solutions.
The recently published second edition of “Making Healthy Places: Designing and Building for Well-being, Equity, and Sustainability” explores how the design of houses, schools, workplaces, streets, parks, transportation systems, and urban form, affect our health and well-being.
Gregg Colburn, associate professor of real estate, discusses the relationship, or lack thereof, between homelessness and poverty, and what he believes is the true cause of homelessness. | Washington Post
In this interview with KUOW, Gregg Colburn, associate professor of real estate, discusses his new book “Homelessness is a Housing Problem” and offers insight into how Seattle’s homelessness crisis might be addressed. | KUOW
The history of American Unitarian church architecture is one that’s lesser-known. With this in mind, Ann Marie Borys, associate professor of architecture, wanted to provide context for two extremely highly regarded Unitarian projects of the 20th century that had only been written about independently. Her new book explores how they fit into the broader scope of Unitarian churches.
“American Unitarian Churches: Architecture of a Democratic Religion” explores Unitarian church design and the progressive ideals shown through them — ideals that were central to the founding of the United States. By situating Frank Lloyd Wright’s Unity Temple and Louis Kahn’s First Unitarian Church of Rochester in their full context, Borys writes about the interconnectedness of American democracy and American architecture.
We asked Borys about the book.
Why did you want to write this book?
I initiated the research in an effort to provide context for two extremely highly regarded architectural projects of the 20th century. Each one had been written about independently with regard to its place in the architect’s creative oeuvre and its “moment” in American architecture. And they had sometimes been discussed in relation to each other (though separated by 50 years) because they were both Unitarian churches. But there was very little written about how they fit into the broader scope of Unitarian churches.
I soon discovered that there were quite a lot of Unitarian churches from both the 19th and 20th centuries that were also architecturally significant. So the book that emerged became a narrative of Unitarian church design as a central factor in the development of American architecture itself.
Why has this contribution not been evident in narratives of American architectural history previously? Why is it important to bring this to light?
A simplistic explanation is that architectural history was first developed as a chronology of styles, and then a narrative of architect-heros. It was in the later part of the 20th century that larger social and cultural patterns began to be studied. By then, Unitarianism represented a very small portion of the population, and it was not widely understood to have historical roots connected with those of the country itself.
It is important partly because there are some misconceptions about the two buildings that prompted my research—Frank Lloyd Wright’s Unity Temple, and Louis Kahn’s First Unitarian Church of Rochester. But more broadly speaking, it is important because it adds a significant body of work to an issue of theoretical importance: What is an ‘architecture of democracy’?
What’s the connection between faith and architecture?
This is a trick question with respect to Unitarian churches. Most faiths build churches that support specific rituals spatially, that express beliefs symbolically, and that aspire to place the church-goers in some relation to the divine. Unitarianism is unusual because it has never had rituals, and in the 20th century, the question of religious belief was transferred from clergy to the individuals. So there can be a wide variety of beliefs in any congregation. This makes the design of a memorable architectural space more difficult.
What elements of Unitarian spirituality are expressed through the architecture of its churches?
I found three things to be in the foreground of Unitarian churches: awareness of nature and with that, the interconnectedness of all things; respect for the individual coupled with responsibility for others; and the necessity for individuals to share knowledge and ideas in a community.
How are the ideals/values of Unitarianism shown through the design of their buildings/spaces?
The awareness of nature and natural processes is evident either directly through generous views promoting connection between the sanctuary and surrounding gardens or natural features or it is present through daylight and through the use of natural materials. Respect for the individual and for individual choice is evident in the way that doors into the sanctuary are located as one choice among others, and in the non-hierarchical arrangement of space in the sanctuary. The necessity to share ideas for the enrichment of all is present in the provision of ample social spaces in addition to a space for worship.
The combination of these features creates an architecture of democracy.
What do you hope readers take away from this book?
I hope that readers will understand that Unitarianism was a mainstream denomination in America throughout the 19th century, and that many of our country’s progressive social and cultural advancements were led by Unitarians. I hope that they will be able to appreciate how Unitarianism remains true to its original philosophies and values–values which were formed along with and were practically identical to the American democratic ideals articulated by the founding documents of this country. I hope they will understand that Unitarianism is a democratic religion, and that its architecture is an expression of authentically American ideals.
Ken Tadashi Oshima is Professor in the Department of Architecture at the University of Washington, Seattle, where he teaches trans-national architectural history, theory and design.
He has also been a visiting professor at the Harvard Graduate School of Design and UCLA, and has taught at Columbia University and the University of British Columbia. He earned an AB degree, magna cum laude, in East Asian studies and visual and environmental studies from Harvard College, an MArch degree from University of California, Berkeley, and a PhD in architecturalhistory and theory from Columbia University. From 2003 to 2005, he was a Robert and Lisa Sainsbury Fellow at the Sainsbury Institute for the Study of Japanese Arts and Cultures in London.
Dr. Oshima’s publications include Kiyonori Kikutake: Between Land and Sea (Lars Müller/Harvard GSD, 2015), Architecturalized Asia (U. Hawai’i Press/Hong Kong U. Press, 2013), GLOBAL ENDS: towards the beginning (Toto, 2012), International Architecture in Interwar Japan: Constructing Kokusai Kenchiku (U. Washington Press, 2009) and Arata Isozaki (Phaidon, 2009).
He curated GLOBAL ENDS: towards the beginning (Gallery MA, 2011), Tectonic Visions Between Land and Sea: Works of Kiyonori Kikutake (Harvard GSD, 2012), SANAA: Beyond Borders (Henry Art Gallery 2007–2008) and was a co-curator of Frank Lloyd Wright at 150: Unpacking the Archive (Museum of Modern Art, NY, 2017) and Crafting a Modern World: The Architecture and Design of Antonin and Noemi Raymond (UPenn, UCSB, Kamakura Museum of Modern Art, 2006–2007).
He was an editor and contributor to Architecture + Urbanism for more than 10 years, co-authoring the two-volume special issue, “Visions of the Real: Modern Houses in the 20th Century” (2000). His articles on the international context of architecture and urbanism in Japan have been published in journals including Architectural Review, Architectural Theory Review, Journal of the Society of Architectural Historians, Kenchiku Bunka, Japan Architect, L’Architecture d’Aujourd’hui, and the AA Files.
Dr. Oshima was president of the Society of Architectural Historians from 2016 to 2018 following service on the SAH Board of Directors and Executive Committee from 2008 to 2016. He joined SAH in 2000 and is a Life Member.
The Board of Directors names as Fellows of the Society of Architectural Historians individuals who have distinguished themselves by a lifetime of significant contributions to the field. These contributions may include scholarship, service to the Society, teaching and stewardship of the built environment.